Category: releases

Accumulation – 黒電話666

OOO-31 | CD | Digital

BLACKPHONE666’s music is fast, outline of each sound is very clear. He uses many high frequency sound, and play with real black phone, His show is awesome. I never get tired of listening to his songs with high volume at home. And he is a good guy. There are many points we, MELT-BANANA like about him!
[AGATA from MELT-BANANA]




BLACKPHONE666 is a very gentle guy, but his sound is noisy and fierce. What a difference between his personality and sound!
[kohei matsunaga (NHK yx Koyxen)]



I LOVED the new BLACKPHONE666 track !! Sick as fuck and soooo “Alien” !!!
[Eric Wood (BASTARD NOISE)]




BLACKPHONE666 is the most consumed harsh noise artist at today’s nightclub scene in Tokyo, Everyone should definitely listen, because almost all the people don’t even know the existence of current harsh noise.
[LOSSANGELS (ENDON)]



A telephone is a transmitter, a receiver, and also a part of symbol of cutting-edge technology in our daily lives. Its shape keep changing with the times. His intense scream through a receiver is very spontaneous, and he perfectly mixed his voice as harsher sound material in tracks. (Extract from main text)
[PAINJERK]


それぞれ異なる音楽的背景を持つ若い音楽家たちが集う21世紀の東京の地下に、まるでノイズが憑依しているかのような状況そのものに僕は注目している☎黒電話666はこのような場をオーガナイズしながら15年にわたり演奏活動を継続してきたノイズ音楽家であり、このEP『Accumulation』は黒電話666より提出された、現在“そこ”で起こっている出来事についての最新のレポートだ☎（※本文より抽出）
［アート倉持 （黒パイプ）］

to such noise-obsessed underground music scene in Tokyo with young musicians having each different musical background☎BLACKPHONE666 has been active for 15 years as a noise musician, also organizes many gigs, and this EP “Accumulation” is the recent report about “the scene” from him☎(Extract from main text)
[Art Kuramochi (Kuropipe)]

BLACKPHONE666 is a very gentle guy, but his sound is noisy and fierce. What a difference between his personality and sound!
[kohei matsunaga (NHK yx Koyxen)]

BLACKPHONE666 is a very gentle guy, but his sound is noisy and fierce. What a difference between his personality and sound!
[kohei matsunaga (NHK yx Koyxen)]

Extreme electronic music act/original harsh noise sound seeker from Tokyo, renowned for tons of gigs, “BLACKPHONE666” drops his long-awaited 1st official release.

“BLAZE” is started with nervy electronic sound, then, gradually torture your ears. “OXD” destroys your audible field with rough energy.
When you listen these 2 tracks, you must notice why worldwide listeners from various genre rocks out by his sound. 
“BLACKPHONE666” is the leading act of relentless electronic music in the 21th century. The time has come when his “Accumulation” of pitch-black noise overflows from speakers around the world.
The remix tracks by ENA (Samurai Horo, KYOKA (raster-noton) are recorded as the bonus tracks only for CD.
These 2 impressive artists create edgy and dope re-construction of his blackphone noise, like no one else can do.The mastering is by noguchi taoru, who has worked with Nisennenmondai ,Kukangendai, Atsuhiro Ito, etc, as the recording/mastering engineer.Masterd by noguchi taoru
Art work & Designed by ticotu YOKO
Movie Edited by Masashi Narita



黒電話666 （Blackphone666）

http://www.geocities.jp/made_in_nakano/

BLACKPHONE666

http://www.geocities.jp/made_in_nakano/

Extreme electronic music act from Tokyo, who pursues original harsh noise sound.He has unique playstyle at his show, with old dialer style desk phone and tons of effector pedals.
He “plays” noise tightly with dynamism of harsh noise and musical development.

His tough, strong and furious sound is created from his skill and considerable experience of his fierce gigs. His music follows noise music manner, but also has great expectation for new development of extreme electronic music and attracts attention in various areas.
His sound is extreme characteristic, excessive sound density, solid and stiff sound is opposite to psychedelic, and massive sound pressure has affinity for dub.

He plays gigs anywhere and borderless, like at live bars, nightclubs, galleries, etc, and genre of gigs are noise, hardcore, techno and electronica. He is like a cross-over bridge between noise music and various genre of music.

BLACKPHONE666 is started on 2001, continues to be active mainly for live performances.
He has good relationship with a lot of underground artists in Tokyo. In 2007 to 2012, he organized electronic music event called “Discord Proving Ground”(http://www.geocities.jp/made_in_nakano/dpg/index.html).
Tujiko Noriko, Ichiro(ex-Yurayura Teikoku), NUMB, AGATA(Melt-Banana), Tomomi Adachi, MARUOSA, PAINJERK, Fuyuki Yamakawa, KYOKA, T.Mikawa(Hijo Kaidan), Kukan Gendai, Atsuhiro Ito, and many more artists played at this event.

His overwhelming live performance was spread as a rumor and attracted eager support worldwide. Before his first independent release, he toured Korea on 2012, and toured EU(UK,France and Swiss) on 2013. On EU tour, he shared stages with Yoshihide Otomo, ENDON, Oren Ambarchi, Mark Fell, Jello Biafra (ex.Dead Kennedys) etc.

On 2014 to 2015, he played gigs together with many artist from overseas such as MATMOS, Russel Haswell, Bastard Noise, Sickness, Dick El Demasiado, TM404, etc.
His gig at Dommune and 2.5D was streamed online. Also he played at Red Bull Music Academy Tokyo and at Chichibu 4D.
Recently, he shared the stage with Naohiro Ukawa, Melt-Banana, DJ NOBU, Aoki Takamasa, Keiji Haino etc.

Split – Kazuma Kubota / GUILTY C.

OOO-30 | C-40

00年代以降興っているハードコアとノイズのリンクのハーシュノイズサイドからの実行犯GUILTY C.。そして2014年に発表した初単独国内盤”Two of a Kind”CD(ooo-28/[…]dotsmark)が大きな反響をもって迎えられた気鋭のノイズアーティストKazuma Kubota。同世代、同時代を生き、それぞれに経験と評価を積み重ねて来た両者による初のスプリット作品。

土砂災害の如く熾烈なハーシュノイズと洗練さ れたミックス、真っ黒な雪崩の中の構成美！カセットテープ・初回プレス150本。DLコード封入。

Kazuma Kubota
都内を中心に活動するハーシュ・ノイズ・アーティスト。2004年の 冬より”BLOODY LETTER”名義で活動開始。2007年以降は本名のKazuma Kubota名義で活動。スピード感とブレイク感溢れるノイズと 美麗なアンビエント・ドロー ン・サウンド、フィールド・レコーディング等によって構築され た繊細でドラマチックな作風はノイズ・ファンのみならずエレクト ロニカ、シュー・ゲイザー、ハードコア他あらゆるエモーショナルな音を求めるリスナーへの訴求力を持つ。2013年には米ノイズの巨匠Chris GoudreauのレーベルNinth Circleから1stフル・アルバム”Dis connected”をリリース。

GUILTY C.
1999年 から活動を続けるドクロの使者。フィードバック・ノイズと淀んだ音の波が寄せては返し、幾重にもなる怪しいノイズの壁が砂の ように崩れ落ちる、残虐無慈悲なダークノイズ・プロジェクト。

observation about air – Abisyeikah

OOO-28 | CD/Digital

Abisyeikah is a unit that has been both silenced and enthusiastically praised for its lo-fi/nonsense, bad taste, thought-provoking performances, unscalable two-match progressive style, and thoroughly underground and homemade terroristic sound. Noise” unit Abyshakah.

This is their 4th original album and first pressed CD/regularly distributed album.
If you ignore them now, when will you?

The DL version is available from the following distributors.
iTunes/Amazon/Bandcamp/Ototoy

Abisyeikah
They were formed in 2004. They have been hiding in Gunma, Gyoda, Koenji, Roppongi, and Shibuya and consistently playing shows and releasing music.
Since their debut, they have advocated “gore grind” and “noise grind” and have repeatedly expanded or misunderstood these keywords to create extreme music, noise, and performance art.

He has performed at actual underground events wherever he has been invited and with such Japanese punk/rock giants as Tsunematsu Masatoshi, OH MY COW! He has performed with serious noise/electroacoustic groups such as Shunji Mikawa + HIKO, Dave Phillips, Francisco Meirino, Yousuke Fuyama, etc. He also collaborated with Mirai Moriyama, an artist, at the collaboration with Refrigerator Man and Kawasaki CHITTA. He has had borderless opportunities to perform with artists from all scenes and countries, regardless of genre, industry, career, overground or underground.

In 2012, he released a 3-way remix with JESUS OF NAZARETH and KUSARI GAMA on “GRINDCORE KARAOKE”, a label run by J.Randall, a member of AGORAPHOBIC NOSEBLEED in the USA. KUSARI GAMA KILL released a 3-way remix album with JESUS OF NAZARETH and KUSARI GAMA KILL.

In 2013, his live video was highly acclaimed by U.K. beatbox champion “Beardyman,” and he gained international attention.
Furthermore, he has received respect from Australian Horrorcore/Breakcore “Passenger of shit”. He plans to participate in his V.A. project and produce a collaboration work with Passenger of shit & Abisyeikah. He has also decided to collaborate with Passenger of shit & Abisyeikah to make a new album.

Two of a Kind – Kazuma Kubota

OOO-27 | CD | Digital

Kazuma Kubota、この名前は覚えておいた方が良い。年寄りが跳梁跋扈する日本のノイズを、この男はいずれ背負って立つことになるのだから。理由？この作品を聴きなさい。それで分からないようなら、自分を諦めることだ。

美川俊治(非常階段/INCAPACITANTS)

00年代以降の日本ノイズ急先鋒Kazuma Kubota。
日本より先に海外のノイズ・コミュニティにおいてその評価が堅実なものとなっている彼の、満を持してリリースされる初の国内正規流通品。メ ランコリックなアンビエントサウンドとフィールドレコーディングそして切り刻まれたハーシュノイズの高次元融合によって紡ぎ出された独自の繊細な 世界観を3つのトラックで表現した小品。限定300枚(CD版)。
DL版は下記配信先からご利用頂けます。
iTunes/Amazon/Bandcamp/Ototoy

Kazuma Kubota. All heads has to know this name. This man is going to stand on the Japanese noise scene that have been dominated by old guys for a long age . Why? The reason? Just Checking this album. nevertheless, if this still shit for you, you should abandon yourself.
-Toshiji Mikawa(HIJOKAIDAN/INCAPACITANTS)

4tracks/CD(Edition of 300) or DL(iTunes,Amazon,Bandcamp,Ototoy)

真実は詐欺師の発明/TRUTH IS INVENTED BY LIARS – 5way split

OOO-25 | CD

2012年4月～5月にかけて敢行されたスイスのアーティストDave PhillipsとFrancisco Meirino両者の日本ツアーを記念して制作された5way Split CD。

両者に加え、Dave Phillipsを擁したアクション・ユニットSchimpfluch-Gruppeでも知られ、現在は大阪に在住、EXTREME RITUALとも形容される独自の世界観での音響パフォーマンスを続けるRodolf.Eb.Er(R&G)、ENDONのノイズ奏者によるソロノイズユニットMASS PHALLOCENTRISM ATTACK、知性とナンセンスの強引な配合によって全く独自の表現実験を続けて来た群馬のノイズ／アバンギャルドユニットABISYEIKAH(アビシェイカー)の計５組のオリジナル曲と、Dave&Franciscoによるコラボレーショントラックを収録。スイスアヴァンギャルドと、それをリスペクトする日本の新しい才能とを橋渡しする日瑞友好盤。

This CD was produced according to the 2012 Japan tour of Dave Phillips & Francisco Meirino.
CD with 5 Noise/Avant-Garade/Electro acoustic artist from Japan and Switzerland.

Original songs from each artist, and included the collaboration track of dave with francisco.
Dave Phillips is an noise actionist of Switzerland has been active since 1987.He is a member of art group “Schimpfluch-Gruppe”, and in the past was the main member of the legendary grindcore band “FEAR OF GOD”.
He has built dense tracks by voice, sound, field recordings,for problems of modern society.
Francisco Meirino is an sound artist working in Switzerland since the 1990s.He makes a live performance using the multi-channel also pluralistic, field recordings and Electro acoustic using.
Rudolf EB.ER is a founding member of “Schimpfluch-Gruppe”, Swiss artist currently working in Japan.
The above three artists, supported on this tour Corrupted,Hijokaidan,Endon and more.
Abisyeikah is an lo-Avant-garde unit working in Japan since the 1994.They sound production are humorous,lo-fi and very free.They have released a 3 albums and many VA so far.
MPA is a Japanese young noise collage unit.solo project by noise player of the noisecore band ENDON of Japan.

MULTIPLE REPORT FROM SEIDO AND MASS PHALLOCENTRISM ATTACK – SEIDO AND MASS PHALLOCENTRISM ATTACK

OOO-23 | C-45

SEIDOとMASS PHALLOCENTRISM ATTACKによる2011年秋に行われたコラボレーションライヴを記録した実況盤。
両者の持ち込んだ自作楽器とMPAの咆哮、サンプラーマニュピレーションによるスリリングなアクショニズム実験雑音響。
片面のみ収録、限定50本。NOISE NINJA RECORDSとの共同リリース。

SEIDO
1984年　アシッドミュージックグループ[PSYCHIC ART BALANCE]を結成。アーコスティック～エレクトロニクス、ジャンク～シンセ、即興からパンク、ミニマルまでなんでもありのスタイルだった。その後電気仕掛けのノイズを鳴らすオブジェを製作し始め、1991年田島パフォーマンスフェスティバルをパフォーマンス色を強め境に秋田昌美ら共にTrue Romanceを結成一年ほど活動。その後数々の楽器、音響マシンを制作しソロ活動及びミュージシャン、パフォーマー、ダンサーと多くコラボレーションをしてきた。1996年に活動を中止したが、その後西洋に見切りをつけ発展途上国でのアンチポップミュージックを探しているうちに活動再開。現在フィリピンのショピングセンターの休憩所など考えられない場所でNOISEを演奏したりしている。近年になって約20年ぶりに日本に帰国。国内での活動を再開している。

MASS PHALLOCENTRISM ATTACK
東京のノイズバンドENDONのノイズ奏者としても活動している彼のソロ名義。スイスアクショニズム勢からの影響を感じさせつつもノイズアティトゥードに満ちた音響工作を展開する。

This work is a live recording of a collaboration live performance b and c went for the first time in 2011.
Self-made Instruments that brought by two people,modulated roar and sampler operation by MPA,Very thrilling recording of an actual aktion performance.
1side track,edition 50.co-released with NOISE NINJA RECORDS.

SEIDO:
Formed in 1984, Acid Music Group [PSYCHIC ART BALANCE].It was a certain style of everything from Acoustic~Electronics,Junk~synth,Improvisation~Punk, to Minimal.Then he began to produce objects that play noise by trick of electrical.
Together they formed the TRUE ROMANCE with Masami Akita and some people, in 1991 and worked for about a year.Then, he produced many sound machine and various musical instruments, he has been working solo and in many collaboration with musician,performer,and dancer.His activities was stopped in 1996,He then as hopeless to Western music, he have resumed activity in the process of looking for the anti-pop music in developing countries.he playing noise on resting place of shopping center in the Philippines.Recently,Returned to Japan beyond about 20 years, he have been active in the country

MASS PHALLOCENTRISM ATTACK:
Solo unit by noise player from the noise band ENDON in Tokyo.

Insane Dog Run – MO*TE

OOO-24 | C-45

90年代に精力的に活動しその後沈黙、近年になって突如活動を再開した国産ノイズユニット”MO*TE”の復活後初の完全新作&フルアルバム。

当初海外の某レーベルからのリリース予定だったものの当該レーベルが倒産、宙に浮いていたマスターを[…]dotsmarkがキャッチ！
過去作は全て廃盤&プレミア化、世界中のノイズマニアックスが血眼で情報を探し、伝説化していたMO*TEの現在最新形。
豪雨のように降り注ぐアブストラクトなハーシュに漂う電子音が曲名通り瞑想的作用を呼び起こす20分超の大曲”Rainstorm Meditation”、乾いた質感のハーシュノイズが往年のジャパノイズの熱を感じさせるB面の2曲による計3曲約45分、熟練の渋さすら漂わせるハーシュアルバム。限定50本。

MO*TE:
1995年、肉奴隷によるV.A.”殺戮雑音部隊”への参加によりデビュー。
2000年代初頭までに”STASH”CDR(Solipsism)、”Life in a peaceful new world”c-60(Hevi Like A Snake)等、カセット及びCDRを国内外のリアルなノイズレーベルから限定でリリースした。
自身の運営するレーベル”UNCUT”に於いては、100均SHOPやホームセンターにあるグッズをジャケットに採用する等ユニークなアートワークを制作。自身のソロ作品の他にGOVERNMENT ALPHAとのコラボ、CRACK STEELやSTIMBOXとのスプリットをリリース。
2000年代初頭に活動停止し沈黙。上記時代の音源は全て廃盤／プレミア化し、現在ではネット上での試聴ですら困難となっている。
2009年、NOISE NINJA RECORDS主催イベント”NOISE NINJA RESISTANCE vol.7″への出演を皮切りに本格的に活動を再開、東京アンダーグラウンドでライヴを重ねている。

90’s Japanoise legendaly MO*TE is back!

This work is completely new full-length album from resuming his activities in recent years.
Side A “Rainstorm Meditation”are electric sound like air drifts, and abstract harsh noise like heavy rain.They can lead to a meditative effect.
Side B is dry texture hirsch noise are two songs.Mature from them even feel tasteful.
Editon of 50.

MO*TE:
Formed in 1995, Debuted in the wake of participation in the V.A.”SATSURIKU ZATSUON BUTAI”(produced by NIKUDOREI).
By the early 2000s, he has released “STASH”CDR(Solipsism)”Life in a peaceful new world”c-60(Hevi Like A Snake) and more.Many of them were released on limited edition of cassette tape and a CDR.
In the early 2000s, he stops the activity once.Silence for a long time thereafter.
Previous release his silence is all out of print and became premier high along with the items required by the noise maniacs.
For there not is little information on the Internet,his presence was become legend.
In 2009, he appeared in the event “NOISE NINJA RESISTANCE vol.7” to be hosted by NOISE NINJA RECORDS. He resumed in earnest and activities.

ACME APATHY AMOK – ENDON

OOO-22/GGRR-001 | CD

ENDONは2007 年に結成された、エクストリームミュージックの決定的な更新を目論む音響集団である。通常のバンド編成にエレクトロニクス奏者2人を擁した彼らの生成する音は、Noise,Hard Core,Black Metal, Industrial,Grind Core といった無数のハードスタイルの混成であり、徹底的にフィジカルなPure Hard Core の体現である。 身体と音響の運動量過多、自傷・流血の頻発する破滅的なステージングは地下ライブシーンで話題を呼んでおり、 最も注目すべきアクトの1つだ。メンバーAXONOX はエフェクターブランドMASFを主宰しており、ENDONでの使用機材にとどまらず過剰な性質を持つ製品を発売、ユーザーに「BORIS」など多数のアーティストが名を連ねる。また、単独主宰ライブイベントとして「TOKYODIONYSOS」、毎年末には50組に及ぶ多種多様 なアーティストの結集するカオスなイベント「地獄のコミュニケーション」を共催でプロデュース、アンダーグラウンドなアーティストたちによる闘技場的空間のアレンジを試みる。

ENDON is an experimental acoustic collective from Tokyo, first gathered in 2007 in order to bring a decisive rally on contemporary extreme music. In addition to a conventional band formation of vocal, guitars, and drums, there are two additional electronics performers, allowing them to create harsh, distinctive sounds in various chaotic mix of styles ranging from noise, hard core, black metal, industrial, to grind core, through an absolutely physical embodiment of pure hard core mentality. Their staging can be characterized as a plethora of physical and acoustic momentum, with destructive performances involving self-mutilation and bleeding, receiving high critical acclaims in the underground live scenes and are touted as one of the most exciting acts.

To me this material sounds like Endon has taken some of the traditional Japanese noise like Hijokaidan, and updated it to 21st century.
-Mikko Aspa (Grunt / FREAK ANIMAL / Deathspell Omega / NORTHERN HERITAGE)

This commemorative first full length album “Acme Apathy Amok” is the representation of the band’s ever growing nefarious deeds, and it serves as the evidence to their success in creating a new epitome of hybridized extreme harsh music through the abolition of the obsolete system of musical categorization. Fuck the conservatives and fuck the unorthodox. Don’t take your eyes off of these guys!
-PAINJERK

Past – Bloody Letter

OOO-21 | CDR

現在は本名で活動する日本の新進ハーシュノイズ作家Kazuma Kubotaが2004年から2007年まで使用していた名義”Bloody Letter”。Bloody Letterとして発表して来た自主制作単独CDRやV.A.提供曲など現在では入手困難な楽曲から作家本人が厳選して収録した編集盤。

KAZUMOTO ENDO,SICKNESS等の先達が紡いで来たCUT- UP HARSH NOISEの流れを受け、緻密な構成と音色の練り上げによってノイズでありながら純音楽の高みに切迫しようとしている現在のKazuma Kubotaのサウンドスタイルへと繋がって行くBloody Letter後期の楽曲を中心としたセレクテッド・ベスト。空間を切り裂かんとばかりにめまぐるしく展開するハーシュノイズと美麗なアンビエントドローンの掛け合いによって生み出される独特のセンチメンタリティ／エモーショナリティと、その世界観を鮮やかに現像すべく徹底的にこだわり抜かれたサウンドワーク。本リリースに際して全収録楽曲を作家本人の手でリマスタリング。限定50部。

Selected works of japanese cut-up harsh noise unit “Bloody Letter”(pre-Kazuma Kubota).
All tracks remastered by Kazuma Kubota.
limited 50.

split – PAINJERK/ENDON

OOO-19 | C-45

90年代より活動を続けるJAPANESE NOISEの最高峰PAINJERKと、2007年に結成されたCult Noise Metal、ENDONのスプリット。

2011年3月26日＠新大久保EARTHDOM、同27日＠高崎SUNBURSTでの開場限定販売。限定60部。

Split by Japanese noise artist with Japanese Cult noise black/noisemetal.
only selling in 26/3/2011@EARTHDOM,TOKYO and 27/3/2011@SUNBURST,GUNMA
ltd.60