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news releases

OOO-40

Obsèques – Sou

OOO-40 | C-60 | Digital

Sou(葬):
Death industrial/Power electronics “NEGATIVE CLIMAX” was active between 2009 and 2013. After several cassettes and live performances, the band went into a long silence. Still, In 2021, the original members reappeared and took on a new name as a sole unit: “Funeral.”
This work consists of three sections with eight tracks at the beginning of Sou’s activity on one cassette, is composed of tape loops of fragmented classical piano melodies and desperate moans throughout, and is devoid of any other extra information. The warmth of a corpse, a decaying spiral staircase from which one cannot escape, and a faded vision through a lifeless soul will disempower those who live in a different image and attract those who live in the same image.
Dubbed from the mono master tape to the normal tape by the vintage duplicator, corrupted in natural deterioration, this work reaches for the first time the “sound that Sou was aiming for,” and together with the laser-printed toner-focused binding, it is a work to be picked up in physical form. This is the first time the album has been released of Sou.

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news releases

OOO-39

A Taste of…RNA – RNA

OOO-39 | CD | Digital

Eiko Ishibashi is a multi-instrumentalist known for her diverse activities ranging from electronic music to singing/songwriter to film and animation soundtracks. Fumio Kosakai is an itinerant noise player who has played in many essential noise bands in Japan, such as Emergency Staircase, C.C.C.C., Incapacitants, etc. and has also played guitar in Space Engine and others. And others, and the super-no-wave band “RNA,” featuring Kimihide Kusabuka, a.k.a. K2, who has been seeking new ground since the dawn of Japanese industrial noise history, will perform at the experimental music hall of fame, Roppongi SuperDeluxe. The band’s 2018 performance at Roppongi SuperDeluxe, the hallowed grounds of experimental music, is now available on CD! The drastic interplay of drums, guitars, and electronics makes for 40 minutes of chilling and incandescent music. Edited and mixed by Yasushi Utsunomiya, mastered by Soichiro Nakamura (Peace Music), and art direction by Masahiko Ohno.

RNA

It all started around 2013 with a collaboration between K2 Kusabuka and Eiko Ishibashi, who met through SNS, and a collaboration between F. Kosakai, an old friend, and Kusafuka, released around the same time. 2015 saw the formation of a 3-piece band for a record release party, with Ishibashi playing dr, Kosakai on g, and Kusafuka on electronics. RNA is a three-piece band featuring Ishibashi on drums, Kosakai on g, and Kusafuka on electronics. RNA has been performing leisurely, gathering only once a year for a live show. The band’s improvisational style is noisy but unmistakably rock and no wave.

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news releases

OOO-38

Selected Evil And Death Works 2018-2019 – Controlled Death

OOO-38 | CD

1 Evil Discharge (Pt.1&2) 5:21
2 Evil Discharge (Pt.3&4) 4:31
3 Untitled 14:59
4 Black Lucifer Rising 14:36
5 Death Trip 2:31
6 Prayer For A Holy Death 15:12

2018-2019に録音され2019に3つの海外レーベルからアナログフォーマットでリリースされた3作品 “Evil Discharge” Flexi (Oxen Records)、”Black Lucifer Rising” Cassette (Deathbed Tapes)、”M.A.S.O.N.N.A. / Controlled Death – Split” Cassette (Trapdoor Tapes)をコンパイル、更に未発表2曲を収録し初CD化。マスタリングエンジニアにはゆらゆら帝国、Boris等日本のアンダーグラウンド・ロックを数多く手がけるPeace Music・中村宗一郎。メインアートワークは小長谷淳(GRIM)が手がけた。山崎マゾというジャパニーズノイズを代表する才能の新たな方向性が萌芽する新ユニットCONTROLLED DEATH初の国内盤である。

CONTROLLED DEATH:

2017年に活動を開始した山崎マゾ aka MASONNAのロウ・ブラック・エレクトロニクス・プロジェクト。
「死」をテーマとし、ブラック・デス・ノイズ+イーヴィル・ボーカリゼーションによる不穏と緊張感に包まれたそのサウンドは漆黒の闇に死の匂いを放つ。

Recorded in 2018-2019 and released on three international labels in analog format in 2019 – “Evil Discharge” Flexi (Oxen Records ), “Black Lucifer Rising” Cassette (Deathbed Tapes), “M.A.S.O.N.N.A. / Controlled Death – Compilation of “Split” Cassette (Trapdoor Tapes), plus 2 unreleased songs This is the first time to be recorded on CD. The mastering engineer was a Peace Music’s Soichiro Nakamura has been involved in many projects for Japanese underground rock musician such as Yura Yura Teikoku and Boris. The main artwork was done by Jun Konagaya (GRIM). A new direction of Maso Yamazaki, one of the most representative talents of Japanese noise, is budding in a new unit. This is CONTROLLED DEATH’s first release from label in japan.

CONTROLLED DEATH:

Maso Yamazaki aka MASONNA, who started working in 2017 Raw Black Electronics Project.
Black Death Noise and Evil Vocalization with a theme of “Death”. The sound is filled with a sense of unease and tension are smells of death in the pitch blackness.

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news releases

OOO-35

A Sense Of Loss – Kazuma Kubota

OOO-35 | CD | Digital

Essential documents of the cut-up noise resurgence. Kubota’s knife-sharp compositions contain more action and more ideas than many artists’ entire careers.

William Hutson from clipping.

Kazuma Kubota, The flag-bearer of the Post Harsh Noise, His famous works that lay the foundation of his present, have been turned into CDs, and two titles will be released simultaneously!

This work is a compilation of the single-sided LP exclusively released in 2012 by an Italian label, “Dear Girl Called Wendy” and the self-released EP in 2009 with only 20 copies (!) into a single CD. “January Thirty” is a piece that wavers between the cold and intense, harsh noise, full of a break feel with many intermittences and repetitions, and the gentle ambient sound as it moves forward. “Uneasiness” is a piece with a strong drive that starts with a field recording of the sound of the rain and guitar arpeggio, then moves on to update the conventional noise perspective with its unique notion of beauty. Both are critical in foreshadowing noise development after the 21st Century and 2020.

We selected James Plotkin (ex-Khanate, OLD) as the remastering engineer for these reissues. With the skill of the master, the music’s update into a modern style with solid audio/sound image was successful. The jacket, protected by a sleeve case, also contains a 12-page full-color booklet that includes many photographs of sceneries that Kubota himself has taken. Kazuma Kubota’s unique worldview has been expressed from visual aspects as well.
He advocates a new noise format that has been gaining popularity internationally, with many followers already in various regions. The hidden masterpiece of such an artist that people should focus on!

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news releases

OOO-36

January Thirty + Uneasiness
Kazuma Kubota

OOO-36 | CD | Digital

“Serious and sour-sweet music/sound. The sensation I felt was close to a film or a collection of short stories. The piece made me curious about how it would develop in the future.” –

Ai Aso

Kazuma Kubota The flag-bearer of the Post Harsh Noise, His famous works up to now that lay the foundation of his present, have been turned into CDs and two titles will be released at the same time!


This work is a compilation of the single-sided LP that was exclusively released in 2012 by an Italian label “Dear Girl Called Wendy” and the self-released EP in 2009 with only 20 copies (!) into a single CD. “January Thirty” is a piece that wavers in between the cold and intense harsh noise full of a break feel with a lot of intermittences and repetitions, and the gentle ambient sound, as it moves forward. “Uneasiness” is a piece with a strong drive that starts with a field recording of the sound of the rain and guitar arpeggio then moves on to update the conventional noise perspective with its unique notion of beauty. Both have the critical element in foreshadowing the development of noise after the 21st Century and after 2020.

For these reissues, we selected James Plotkin (ex- Khanate, O.L.D.) to be the remastering engineer. With the skill of the master, the music’s update into a modern style solid audio/sound image was successful. The jacket protected by a sleeve case also contains a 12-page full-color booklet that contains many photographs of sceneries that Kubota himself has taken. Kazuma Kubota’s unique worldview has been expressed from visual aspects as well.
He is the advocate of a new noise format that has been gaining popularity internationally, with many followers already in various regions. The hidden masterpiece of such an artist that people should focus on !

Categories
event news

DISCHARGE III

“DISCHARGE 3”
2019/9/14(Sat) at Shinjuku HILL VALLEY STUDIO Cst

OPEN 17:30 START 18:00
[ENTRANCE FREE]
Act:

ABIBOSS a.k.a. Anya Enot(RU)
NOISE CONCRETE x 3CHI5
ODA takumi
BLACKPHONE666
YUKO ARAKI
shikaku

Categories
news releases

OOO-37

エントロピック – HIJOKAIDAN x SissySpacek

OOO-37 | CD

1 Hijokaidan / Sissy Spacek– Amok Time 11:42
2 Hijokaidan / Sissy Spacek– Seven Directions 4:46
3 Sissy Spacek– Necro Ton 29:16
4 Hijokaidan– Live At Akihabara Club Goodman 29:50

“KING OF NOISE”! This is the first collaboration album between the world’s leading noise band HIJOKAIDAN, which celebrated its 40th anniversary this year, and US blur grind SISSY SPACEK, which made its first visit to Japan last year under the management of […]dotsmark.

The album includes:

  • A collaboration SISSY SPACEK with HIJOKAIDAN was recorded during SISSY SPACEK’s stay in Japan last year.
  • A session at GOODMAN in Akihabara with both bands plus TENTENKO.
  • A solo show by HIJOKAIDAN on the same day.
  • A previously unreleased solo recording by SISSY SPACEK.

The 8-page booklet includes liner notes by Takuya Sakaguchi.

[…]… The 8-page booklet includes liner notes by Takuya Sakaguchi.

HIJOKAIDAN

JOJO HIROSHIGE (Guitar/Vocal)

T.MIKAWA (Electronic sound)

JUNKO (Voice)

FUTOSHI OKANO (Drums)

The world’s first and Japan’s first noise band, formed in Kyoto in 1979 by Hiroshige JOJO and Natsuki Toshi. After Toshi left the band in 1980, T. Mikawa, who is still a member, joined the band, and many other members joined the band, and from 1980 to 1982, the band performed on stage with killer live performances. The group became well-known in Japan and abroad through its killer live performances. After several member changes, JUNKO joined in the 1980s, followed by Futoshi Okano in 2009, making the current four-member lineup the official lineup. There is also a version in which Naska Ka Nakaya (Electronics) participates as a guest musician.

Their 1982 album “Zouroku no kibyou” is a classic in indie music history and continues to be a long seller.

 The band has also performed live in many foreign countries and has released works from the United Kingdom, the United States, Italy, and other countries.

 In 2019, the band celebrated its 40th anniversary.

SISSY SPACEK

Blur / Grind unit was formed in Los Angeles in 1999. Founded by experimental musician John Wiese, the band has incorporated elements of noise core, collage, tape music, free improvisation, large scale ensembles, and much more, while continuing to work across diverse music scenes as a grindcore band. Over the years, many members have joined and left the band. The band has already released over 30 full-length albums, spanning many genres and utilizing numerous methods.

Over the past decade, Sissy Spacek has continued to release records across a wide range of genres while relentlessly pounding the crowd with grindcore that sounds like it came from hell in their live performances.

In 2018, the duo, Charlie Mumma (drums, vocals since 2008) and John Wiese (bass, electronics, vocals), as they have been organized since 2013, made their first visit to Japan to celebrate their 20th anniversary.

Categories
event news

John Wiese | Optical Tokyo/Takamatsu 2019

John Wiese | Optical Tokyo/Takamatsu 20197.12-24,2019

7.12(Fri)-7.15(Mon) @東京都現代美術館 Tokyo Artbook Fair – 出展
7.17(Wed) @テンプル大学 19:30~ – 映像作品上映
7.20(Sat) @落合Soup 19:00~ – ライヴ
7.22(Mon) @UPLINK渋谷 19:30~ – 映像作品上映/トーク/ミニライヴ
7.24(Wed) @瀬戸内国際芸術祭 DOMMUNE SETOUCHI 19:00~ – トーク/ライヴ


昨年自身のバンドSissy Spacek初来日と併せて過去最大規模のジャパン・ツアーを成功させた米国の実験音楽家John・Wiese(ジョン・ウィース)の2年連続来日が決定。
“John Wiese | Optical Tokyo/Takamatsu 2019”と名づけられた今回の滞在では氏が音楽活動と並行して手がけてきた出版/映像等視覚表現にフォーカスしたイベントを東京都複数箇所で開催。瀬戸内国際芸術祭内DOMMUNE SETOUCHIへの参加も決定した。
今回東京都内でのライブパフォーマンスは本Soup公演と7/22(月)UPLINK渋谷公演のみ。
昨年の驚異的な音響パフォーマンスに感動した方も、都合が合わなかった方もこの機会に是非。

John Wiese | Optical Tokyo 2019
2019.7.20(Sat) @Soup
Open/Start19:00
Adv ¥2000 Door ¥2300+drink

・John Wiese (US)
・JUNKO
(from Hijokaidan)
・MikaTen
(美川 俊治 (Toshiji Mikawa) from Hijokaidan / Incapacitants + テンテンコ )
・Astro

DJ

アート倉持(黒パイプ)

Categories
event news

[…]dotsmark Values Tour 2019 in Taiwan

[…]dotsmark Values Tour 2019 in Taiwan

4th May (sat) at Revolver Taipei
Lacking Sound Fest pre
失聲祭域外音 w/ 日本噪音廠牌Dotsmark

11PM-
Entrance Fee | NT. 350 (+Drink)

BLACKPHONE666
Kazuma Kubota
shikaku
sonic deadhorse
賴宗昀 (Lai Tsung Yun)


 
5th May (sun) Fat Tone Studios Taipei
先行一車pre
Senko Issha Gigs #34

8PM-
Entrance Fee | TBA

Chia-Chun X
BLACKPHONE666
Kazuma Kubota
shikaku

Categories
event news

地域とノイズ第二回|台湾「失聲祭」&「雑音指數」

地域とノイズ第二回

特集:台湾実験音楽キュレーション集団「失聲祭」&ノイズフェスティバル「雑音指數」

現行のノイズミュージックが宿る場所に注目し、その紹介を目的とするイベントシリーズ第2回! 近年、新世代ノイズミュージックの震源地として存在感を増すアジア。中でも年齢層の若さ、ボルテージの高さで注目され日本との交流も活発な台湾から、2018年初夏に台北で開催された台中日ノイズフェス「雑音指數」(Noise Index)の模様と、様々なイベントを通年開催する団体「失聲祭」(Lacking Sound Fest)のアクティテビティをピックアップ。それぞれのイベントに日本から出演したアーティスト達を迎え映像とトークで現地の熱気を伝えます。更に今回は名古屋での出張上映も決定![入場者特典] V.A.”HIBAIPIN”CD

Feat:
山角龍,黒電話666,敬子 Jyun-Ao Caesar,北山Q男,晟|SHENG,Berserk,Ding chenchen,Dino,FUJUI WANG,GayBird x WANG Chung Kun,HUH,Jeff carey,Jiang Zhu Yun,Kazumoto Endo,Long Trip 遠足,LTY,LTY+TZUNI,LU YI,MEUKO!MEUKO!,Mycelium Network Society,PA66,Pak Yan Lau & Lynn Cassiers,Spore Spawn,Tim Olive + Takuji Naka,Torturing Nurse,TZU NI,XXXXX,
Yousuke Fuyama,Yuko Kaseki x You-sheng Zhang,先行一車,Interview w/Torturing Nurse,Berserk Gig In Tokyo 12.1.2018

2019.3.19(Tue)
UPLINK渋谷
開場19:00開演19:30 料金一律1500円(1ドリンク込)
TALK: Kazumoto Endo/安藤峻(Spore Spawn)/Yousuke Fuyama
Kyosuke Terada(HUH)/ystk hrn([…]dotsmark)


2019.3.30(Sat)
名古屋・伏見SCIVIAS
開場19:00開演19:30 料金一律2000円(2ドリンク込)
※席数限り有り。予約は各種SNS[…]dotsmarkアカウント又はcontact@dotsmark.com迄
TALK: Kazumoto Endo/安藤峻(Spore Spawn)/ ystk hrn([…]dotsmark)
LIVE: Kazumoto Endo / Spore Spawn / ODA takumi